Monday, March 15, 2010

Poeatree

Dear Bleaders,

Here is a poem for you, chosen by my inner Brutus, on the ides of March.  Et tu?  Yes, me too.

Trotsky’s Hand

I

It’s like dreaming of someone
too much while you’re away
at war; then you come home
to his fingered hat or her

faltering hem-line and it’s
What the hell was I fighting

for? Just another example
of how biography works.
Your character has got
to have a narrative arc,

some drawbacks,
something irredeemably awful,

along with his or her strong
points, to be believable.
Yet we all recoil in disbelief
when anything of the sort cuts

a form into our real lives,
the life of the author. Don’t

despair! It’s just the demands
of narrative! Leda, after all,
probably never even thought
to fear anything like that.

Then one day, there it is,
the century actually over

and most of its artifacts
still entirely inexplicable.
This is no walk in the park
with spinach, Swee’pea,

I’ve got no idea where to go
for extra strength.

I guess that’s what
they’re selling.
It’s an incidental
that it cleans your laundry,

scrubs your teeth. What is of note
is that it is a source of extra

strength. Extra strength! Thank
God! That’s what we’re going
to need in case they all switch back:
the swan, the prince, the salt.

Even if you weren’t ever accosted
by a feathery god,

you take some heavy losses early on,
and that will leave feathers everywhere
for the rest of your life; as if
you were wearing an eiderdown coat;

you just walk around and molt.
As for the man in the tiara,

that’s a transformation
you never want to go through
twice, but do, coaxing every
so often your sad, damp, frog

back into his palace. Don’t
you like your scepter? Won’t

you wear your robes?
Lastly, salt. Well, who doesn’t
turn towards the sepia for a second
look; into the carousel-music

and the tortured plaster horses
of the past? But this sympathy

does not imply that I want
Madame Lot back here
knitting itchy sweaters.
Let’s just try to calm down.

II

When Stalin took power
he had Trotsky erased
from the photographs.
Sometimes, you can still see

a floating hand. Left behind.
So disembodied as to be

almost meaningless. We try
to ignore it, floating there
in history. We get to work.
There is something to be said for that.

You can’t really expect me
to roll around naked in a garden

letting Trotsky’s severed hand
float around my body,
knowing my body better
than any lover, his soft,

soft-focused, probing hand.
Yet, how can we do anything

serious with that thing hovering
overhead? A woman working
at a table in the park swats
away the tickling hand

of Trotsky, and intones
as if to all of history:

Not now. Trotsky’s hand,
abashed, moves on
to pick some flowers.
So much is gone that

what is left is inexplicable
without memory, and memory

is painful and very difficult
to explain. Which isn’t
to say I mind Trotsky’s hand

snapping its fingers
and flapping itself like a bird

above my desk or would rather
have him back, extant,
yammering about world socialism
and complaining about

the samovar: Is this thing cold again?
So, is this more of a lament

than a complaint? Sure.

But it is always there. This
burden of history is not a bird
but a hand, its wrist a tiny cloud.

It’s very quiet. It fills the quiet sky.




--

This poem is from my first poetry book, The Next Ancient World.
Something about the total cloud cover over Brooklyn this opalescent afternoon called out to me to show it to you.  Not just for the thing in itself, but to re raise the question of what poetry can do that all else can't.  A certain explicit everything, scientific care with artistic scope.  That's what Edger Allen was doing up the oak.

Love,

Jennifer


Saturday, March 13, 2010

Other Part of Two New Bap Posts Posted Here

Gyms and Poets [by Jennifer Michael Hecht]

IMG_9427 Dear Bleaders,

 How do you decide to get your Ph.D. in Cultural History, thinking about poems and pictures all day, and end up with a Ph.D. in the History of Science?

 It’s funny you should ask.  You go to Columbia University on Manhattan’s right shoulder where they keep threatening to hire a Cultural Historian, but never quite do. What they did have was a hella Historian of Science and history of science turned out to be poetry, basically, so once I picked it up I knew I was never setting it back down.

 Why is history of science so delicious?  I begin with a fast friend of mine, about whom all y’all may already have strong opinions and probably not good ones. So I should just shut up about it, but in truth, forsooth, I can’t tell you what I believe about the world without giving Michel Foucault props. 

 I have long joked that Philosophers of Science talk about how science works, and Historians of Science talk about how science doesn’t work. Historians of science tell the history of scientific beliefs in terms of how those beliefs shared values with the wider culture of the era. When you do that for sciences that try to evaluate and explain human beings, you find the science pretty much just traces out the wider cultural beliefs. 

 Not just in the past either. Even now.

 In trying to understand ourselves and our world, let’s say we start with nothing. How should we begin?

 As we stand around wondering this, one of us drops dead. Someone says, I don’t want to drop dead like Fred. Can anyone tell me why Fred dropped dead, so I can avoid it?

 Think about how focused on that question today’s science is. Isn’t that a little funny just by itself?

 Now, how can we guess why he died? Well, I see a group of people over there and no one over there has dropped dead. Let’s start our investigation with the question “What is different about them and us?” Whatever it is, that will be what killed Fred. 

 Strictly speaking it’s true, whatever it was that happened to Fred was local to Fred who was local to us, so the difference between them and us is, by our definition of terms, what killed Fred. But there is something wonderfully off base about it, right? Because it could be anything that led to Fred’s death yet we are going to get real serious about testing a few possible correlations. We choose to study the difference in what we eat, as if it is of course the place to be looking for the correlation. Then we go after it like crazy, asking old people whether they ate more kiwis than potatoes, and doing decades-long studies of hundreds of thousands of people.

 So the first step down the rabbit hole is that we choose human longevity as the most interesting aspect of science. I mean, come on people, look at the amount of science reporting that is about what you should have for lunch so as to prolong your aging years. We are as manically interested in longevity as the Ancient Egyptians were about “the next life.” It’s a cultural trance that’s gone way out of control. (All cultures are interested in death but some cultures go nuts around the subject, and I think we qualify as grade A nuts out of control.)

 [Check it out. The reality is that you are a blinking thinking consciousness with two opposable thumbs in an unthinkably vast unthinking universe. You exist for what amounts to a blink of an eye, in cosmic terms. In cosmic terms the whole of planet earth the whole history of the Earth exists in a blink, there are galaxies upon galaxies and they have time enough to be born and live and die and our whole solar system even our whole fricking galaxy the Milky Way is as a breath inhaled and a breath exhaled in the great giant real truth of time and the universe. So what the fuck are you worrying about the Stairmaster for? (Unless you love the Stairmaster in which case go have fun on it.)

 So right. First of all, it doesn’t really matter how long you live. This isn’t theater, there is no way to miss the end. All bits of it are about as good as all the others and it seems a great treat because we all got in and we all got in together. The together is the magic part. What matters is being alive and mentally healthy enough to live in the real world with all its actual weird magic, while you’re here.

 So the first step down the rabbit hole is to be so ever-lovin concerned about longevity.  Next is to believe that food and exercise are what is different between those people over there, where no one dropped dead, and these people here, where Fred did. 

 Foucault’s book Discipline and Punish showed me this: We think of incarceration as civilized and cutting off a finger as cruel and unusual, but if I asked most people if they want to be locked up in a cell for ten years or lose a finger, they’d choose to lose the finger. Foucault’s History of Sexuality showed me this: We think of the Victorians as being really distant from sex, but the fact is talking about not having sex is a lot like talking about sex. They never shut up about it.  Skirting a piano stool so we don’t see its indecent legs is an act of sex mania.

 With training from Foucault and Freud, who both told me that bold claims sometimes actually mean their direct opposite, I came to believe, for instance, that gyms are occupying precisely the role they did in Ancient Sparta and in Fascist Germany. Being obsessed with bodies is actually a pretty rare thing in human history and we’re in lousy company.

 It always means We are strong even though the peons do all the real work for us.  We have special arenas marked as leisure where we get muscled at play.

 If you are a poet, you shouldn’t freaking care about this.  Only workout at the gym if you like it. You’ve been invited to the planet for a long yet short stay. Go make something you enjoy making. Next time you want to go somewhere leave enough time to walk there, or part of the way. Sweep your own leaves. Forget the weights. Unless you like it. In which case, knock yourself out. I’m just saying, the universe is vast and fine, and the universe of the mind is equally extensive and divine. What’s in between is a little piece of meat that is admittedly easier to get your hands on than the universe or the inner life. But still. Feeling guilty for not going to the gym is ridiculous. You don’t have to go there. Go there if you like it. But that place isn’t what it says it is. If it doesn’t feel right to you, that’s because there’s something a little wrong with it.

 If you want to know more, read The Happiness Myth.

 Hookay loves, excellent work staying alive since last post, most of you. Let’s see if we can do even better this week.

 Love,

 Jennifer

Two New BAP Posts Pasted Here

We Make Huge Mistakes In Perception [by Jennifer Michael Hecht]

IMG_9393 Dear Bleaders,

Can we talk a little more about the gym?

First let me remind you of the weirdness of perception and the human capacity to be deceived.

Only about twenty-five years ago many adult Americans, most of us really, believed that if we could get past our moral compunctions about it, it might be great for us if we blew up the USSR with nuclear bombs.  Sure there would be some danger to us, but we've tested bombs, you could strategically blow up what counted for the USSR and the rest of the world would live on.  And as we saw it, only 25 years ago, the rest of the world wanted to live in peace, liked things sort of the way they were, or anyway were too small and weak to menace us in any way.  We could bomb the slavs and suffer no more.  Forget the defense budget.  We could finally use our surplus food and energy to build schools and hospitals, homes, parks, and museums.

We completely missed the fact that people too nuclear-powerless to menace us could, in fact, menace the hell out of us.

We might have killed millions just because we didn't notice this rather obvious truth.  Bombing the slavs into oblivion would not have made us safer.  It was never true.  That whole fantasy was mistaken.

You know what, I'm going to leave you with this and come back later to talk more about the gym.  Just let's try to unhinge a little with this one.  We make huge mistakes in perception.

Love,

Jennifer

Sunday, March 7, 2010

Night Swimming



Stare directly at the sun

  Dear Fonz,

Is it just me or is there something sort of sexy about this picture?  Something sort of sexual.  Stare directly at the sun.  Feel anything?

I know the Fonz isn't real by the way.  I'm not totally useless as Bubbles used to say on AbFab.  There's even a real person named Henry Winkler who is inhabiting the Arthur's body and, with the grace of an uncle, leading it through the ages of life in Hollywood, whatever those may turn out to be or not to be.  No, don't worry I'm not going to start talking about suicide again.  Doo bee, doo bee, do; or not doo bee, doo bee do.  Now *that* is what I call a question.

But dear Bleaders, I didn't have a blog for so long.  I used to say, "I'd have been a great blogger if I were alive today," because the only explanation for my not blogging would be temporal misalignment, and when I finally did start in with this art of porthole hollering is when John Chaneski, my excellent and remarkably tall husband, pitched it to me as a epistolary relationship with my secret hero and delight, Arthur Fonzarelli.  I will tell you why I have a special taste for the Fonz, but I will not tell you now.  For now, we'll just go with the obvious.  We all love him.  We love him because he is cool.  And a good listener.  I feel when I am talking to the Fonz, just that extra bit of freedom to just say what I'm thinking.  And drink what I'm drinking.  And rhyme drinking with weekend.  (Heh doesn't that make your lips feel funny?)

So, even though over at Best American Poetry Blog, where I also blog (mostly on wednesdays but lately i've gone rogue and answer to no law) I have come to know and love my audience as Bleaders, which I made up early on over there at Bap, I shall continue to speak both to you, dear Bleaders, and to the Fonz, who doesn't exist but also does, much like the rest of us.  Anyway, I've reached some kind of satori Fonz, and am feeling extremely fine.  Life is over, the factory bell has sounded, the orders are all in.  Nothing left to do but notice all the huge piles of time all over the place each filled with millions of long moments.  All the time in the world.  Relax.  Do something small and pleasant.

Love, 

Jennifer
(adapted from a novel by Sapphire.)

Saturday, March 6, 2010

Good dog.

Dog arriving too late to save a drowning clown.

Wednesday, March 3, 2010

Mr. Pickle is sour, but he's always nice to Tessie

Hi!  Wouldn't I look great with a hat?